Max Hooper Schneider uses the remnants of humanity in his installations to build a vivid post-anthropocene scene, providing us with a new normal of existing with catastrophes.

Believed to have been looted from the Libyan coast during WWII, the Ptolemaic-era statue will remain at the CMA on loan for an unspecified period of time.

Djuna Barnes’ illustrations for Ladies Almanack have much to reveal about her sympathies towards the women she mocked.

A visual analysis of Félix Bonfils’ “Karnak, Avenue Centrale de la Salle Hypostyle, Egypte.”

Isaac talks with the Brown Art Review about temporality, morality, photography, and degradation as they reflect on their senior thesis show, “Epigraph.”

For the first time in 50 years, Diego Velázquez’s portrait of Isabella of Bourbon was set to fetch $35 million at Sotheby’s New York, but in early January 2024, it was withdrawn from auction.