Read Issue 1: Novelties

The many visual elements of Camille Pissarro’s Field and Mill at Osny (located in the RISD Museum) express the conflicts present between humanity and nature during the Industrial Revolution at the end of the nineteenth century.

TikTok-star-turned-RISD student, Camila Salinas, discusses the evolution of her self-portraits through the pandemic, internet stardom, and art school. She reflects on authenticity, the impact she hopes her work has on viewers, and the legacy she’s beginning to build as a young artist.

Nora talks with the Art Review about children’s books, Greek mythology, and punishing people she wants to punish (in her imagination, that is).

From the Art Review Archive, Spring, 2024: Michael DeLaurier talks with the Review about meditation, house parties, and the transformative power of light.

Rena visits the “Planetarity: Frictions, Fossils, and the Future" exhibition, which was on view at the Gelman Gallery until January 11, 2026.

Can drunkenness ever be holy? Brady examines the employment of drunkenness as a motif for both spiritual admonition and encouragement in the writings of the Church Fathers and the visual propagation of these teachings through early modern depictions of Noah and His Sons.