A visual analysis of Félix Bonfils’ “Karnak, Avenue Centrale de la Salle Hypostyle, Egypte.”

Considering Gian Lorenzo Bernini’s representation of a controversial saint.

In October 2023, the Cleveland Museum of Art (CMA) asserted their right of ownership, by means of a massive civil suit, over a Roman statue that was looted from Turkey.

Hunter Melton writes to beloved creator Patrick McHale (Over the Garden Wall) on new and old projects, asking what’s changed.

A Feminist Tale of Triumphs, Trials, and Tenacity in the Restitutions of Nazi-Looted Art