Through their personal experience, Alex guides us through a vision for a personalized way of appreciating art, demonstrating that the value of art is not in the work, but in our hearts, joyfully entangled by context and life.

As Frieze London returns, transforming Regents Park into a marketplace for contemporary art, one questions whether the experience of appreciating art has become increasingly indistinguishable from luxury consumption. When it comes to art fairs, how much do we value art for what it actually communicates and how much for what it is worth to us as a commodity?

Cara explores how Natalia Goncharova redirects the ambitious, often technologically oriented rhetoric of Russian avant-garde abstraction toward an intimate and playful subject: domestic cats.

Kate explores how Australian artist Vincent Namatjira redefines portraiture to confront the legacies of colonialism while envisioning a more inclusive future—one expansive enough to embrace all Australians.

Clarke Reynolds (Mr. Dot) talks with the Art Review about interactive art, changing the narrative around blindness, and creating a world where art is more accessible for all.

Brady deconstructs Barbier-Walbonne’s presentation of the Cults of the Republican Motherhood and Fatherhood in his seminal portrait in the RISD Museum, examining how the artist both adheres to and challenges the Imperial ideals of the Salon of 1806.