“See Memory” is a painted depiction of the elusive nature of memory. Made with thousands of painted stills, Silvera’s film merges the worlds of art and science.

Tracking the migration of NYC’s art galleries as it transforms Chelsea from an industrial zone to the city’s premier art district – revealing how cultural ambition reshapes urban landscapes.

Ukraine’s cultural heritage is at risk. Two years and $6 million USD later, there’s a task force mobilized to protect it.

Acadia Phillips explores what ekphrastic writing is and how museums are using it today to help visitors establish a stronger dialogue with visual art.

Eiden talks with the Art Review about his recent capstone show, his architecture thesis, and craft in the age of technological innovation.

This article delves into the fluid yet complex "whiplash" motif of Art Nouveau, tracing its aesthetic grace back to unsettling colonial histories. Drawing from Debora L. Silverman’s work, the essay explores how Belgian modernism, particularly the works of Henry van de Velde, is rooted in the brutal exploitation of Congo's rubber industry. It calls for deeper reflection on the role of art in representing, confronting, or even concealing the painful legacies embedded within its fluid lines.