Clarke Reynolds (Mr. Dot) talks with the Art Review about interactive art, changing the narrative around blindness, and creating a world where art is more accessible for all.

Brady deconstructs Barbier-Walbonne’s presentation of the Cults of the Republican Motherhood and Fatherhood in his seminal portrait in the RISD Museum, examining how the artist both adheres to and challenges the Imperial ideals of the Salon of 1806.

In the RISD Museum’s “Trading Earth” exhibit (April 9, 2022 - August 3, 2025), a silver vessel stands quietly in the Tea Cabinet. What is this object and whose story does it carry? Tracing the history of the 'mate con bombilla', a traditional yerba mate vessel in Argentina, reveals a far more entangled past, one shaped by trade, colonial exchange, and the global circulation of both materials and meaning.

Examining the Boschian and elemental influences of Leonora Carrington’s practice.

Beginning her career surrounded by Abstract Expressionists, artist Audrey Flack grappled with her impulse toward Baroque-inspired, illusionistic, and iconographic work for decades. After pioneering an often disregarded sentimental dimension of Photorealism within a male-dominated 1970s art world, the contemporary art world at last fully embraced her final body of work before her death in 2024.

How important is medium for meaning? Can we even distinguish the two? Blek le Rats’ "Venus in Mexico" forces us to consider how meaning intertwines with medium.